Join Michael in his discussion with Hugh Eakin about his new book Picasso’s War, How Modern Art Came to America which recounts the determined effort of a tiny group of people who, for nearly 30 years, fought to bring modern art to the United States impeded by war, economic crises, and a deeply skeptical public.

The high-end art world is one of the most secretive—and largely unregulated—global enterprises. The list of its associations with crime runs long and deep from art theft to tax fraud, to forgery, and money laundering.